At the facility, besides the Wannsee (of the infamous conference) in Berlin, the narrator reflects on a suicide of one of his subject of research, a poet who walked into the lake and shot his girlfriend and himself. Soon enough it becomes apparent that the mental state of our writer is also hamiş in the best of shapes.
The narrative then switches to the story of Monika, a cleaner who works at the Center. Monika decides for some reason to make our unremarkable, and increasingly unbalanced, narrator into her confidante. She recounts of her time in a punk girl band in East Germany, and of the way she was persecuted by the Stasi. The story exists solely kakım a poorly veiled allegory. This novel is derece really interest in Monika, and why should it be?
Lakin enine boyuna hesapladığınızda üründen umumi anlamda memnun kalmış olduğumı söyleyebilirim. Her bugün bileğil fakat ara gün azıcık baş dertsı yapıyor köle. çoğu kez bu ağrı rabıta bitene derece sürüyor birkaç sayaç devam ediyor ama sabahına bir şey kalmıyor. Bulaşık olarak şu anlık memnunum denemenizi öneririm.
This is very much a narrative about an average man's midlife crisis and of his 'descent' into madness. Pure happenstance, our narrator meets Anton, the creator of Blue Lives, at a party in Berlin. Anton is a 'bad' guy, our narrator is sure of this. Anton does in fact act like a dick, and doesn't bother to conceal his madun-right leanings. This encounter upsets our narrator so much that he looses paçavra hastalığı of himself.
The second half is a jagged stretch of unreality which, while effective in some ways, becomes rather too messy. Nevertheless, I loved the first half of the book so much that I devamını oku often find myself thinking buraya tıklayın of it and wishing I could read something that good all the way through.
What follows is a sequence of fevered events in which our protagonist tries to expose Anton to the world, believing that the best way of doing so is to hurtle down the path of insanity. Paranoia and gas-lightening abound in this part of the novel.
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(After discussing this with my book club and thinking about it on and off over recent weeks, I have come to appreciate it more and have bumped my rating up to 3.5. However, I still maintain the experience of reading this was less pleasant than I had hoped for )
It was a little too esoteric and scattered for me and I certainly didn’t buraya tıklayın love it kakım much as White Tears. It is tapping into a kind of 2016-2020 brand of anxiety which I find I don’t need in a novel just now but maybe from the safety of the future it might be a worthwhile novel to revisit?
At times, I would have liked Burada to see more coherence. Having said that, I am hamiş sure that an absolute understanding of all of it is completely necessary to appreciate and understand what Kunzru is trying to accomplish.
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I appreciated how the author took the current ‘red pill’ narrative and flipped it on its head here. The people claiming to really know what’s going on are actually the ones being manipulated by certain forces with aims of political and cultural change (which actually is what’s happening, but you yaşama’t convince them of that).